A further system design challenge for
those tendering was to propose an installation infrastructure
that would allow the chosen loudspeaker system to be suspended
with an evenly distributed roof loading.
Mr Dae Hyun Han of DaiKyung Vascom commented:
“The
client emphasised during the tender process that they wanted
the best possible sound quality and coverage for the available
budget, as they were determined to have a first class audio/visual
system to benefit their fans.
“In Korea most public sports venues belong to the government,”
he adds.
“There is a small number of designers
and installers who are qualified for this type of contract
and the market is very competitive. Sometimes a loudspeaker
model is chosen because of its international status –
having won awards or through special promotions; it’s
very important to be able to show that a product is a world-wide
leader when the project is high profile. Sometimes a contract
is won because of a successful demonstration, which was the
case at Jeonnam Arena – the client said it was great
sound and we were awarded the contract partly because of the
audio quality and partly because of the high level of dealer
support.”
The team then went on to prepare a detailed analysis of the
venue acoustics. TEF analysis was among the first steps in
exploring the options available to meet the client’s
brief for evenly distributed speech and music without any
‘dead’ areas, and for high quality, clear sound
with minimal reverberations. It demonstrated that a center
cluster of high power, highly directional loudspeakers would
serve to direct the sound into the seating areas without excessively
exciting reverberations from the upper levels and the roof.
This would be essential for clarity and intelligibility.
The technical solution settled on was a cluster of compact,
high power
Renkus-Heinz
CT5 full-range loudspeakers, matched to
Crest
Audio PL Series amplifiers, a
Community DSC24
loudspeaker controller and an
Allen & Heath GL4000
console.
The CT5 loudspeaker is part of the CT Series and was chosen
for the Jeonnam arena because of its close integration of
the latest technologies developed by designer
Ralph
Heinz. These include
TRue
Array Principle (TRAP) enclosures to provide optimum coverage
in tight-packed arrays;
Complex
Conic horns for accurate pattern control and
natural reproduction; and the company’s
CoEntrant
Topology, which delivers high power from compact
cabinets by integrating the outputs of mid and high drivers
(in this case, the acoustic output of an 8” cone and
a 1” compression driver) into a wideband, high power
true point source that can be loaded with a single waveguide.
The four CT5s were mounted in a steel cluster frame painted
yellow to match the roof bracing with intermediate panels
to conceal the cabling.
“The combination of
TRAP enclosures and the high directivity,” comments
Ralph Heinz, “provided DaiKyung Vascom with the correct
acoustic solution for the venue and allowed maximum power
to be concentrated where it was required, with minimum expenditure
and weight loading.”
The system was specified in mid-2003 and, after a month-long
installation process, was commissioned in March 2004. Since
then it has seen its multi-purpose design used to the full
with a wide range of events staged at the Jeonnam arena. Mr
Dae Hyun Han concludes:
“The new system has
met the client’s brief very successfully and we are
all extremely pleased with its performance.”